EXHIBITION TEXT:Size: 91.44 x 91.44 cm
Medium: Acrylic Paint on Canvas Completion: April 2019 Over the past month or so I personally have had a lot of stuff going on and even when I would think I was okay I would talk about it and bring it back into my life.This month has been an emotional roller coaster, and I am trying to teach myself to just listen sit back calm down and listen don't speak. That's why there is a line straight through her mouth. Now her heads are to the side of her face frustrated because when your silent about something it can also mess with you head.
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inspiration
Artist In Focus: Helene Delmaire
Helene Delmaire is a painter located in Northern France that creates, by majority, oil based paint works. She pushes at the usual aesthetics of artwork in her radius, using different types of brush stroking methods to disfigure the figures in focus from being more universally exquisite than personally. sketchesreflectionI really thought it was going to be worse than it was. As I was painting this I was sitting there listening to music being silent taking my meaning and putting it in action. At first I thought it didn't look like me but when I started to add the little details like her necklace, hair, and her eyelashes then I started to see it coming through. This was my least favorite project and that is because I don't enjoy drawing facial features.
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The expressionist movement focused on the feelings and meaning behind a piece over the actual composition. Edvard Munch’s piece The Scream was the main source of my inspiration along with the conceptual ideas of the expressionist movement. Expressionism was an artistic reaction to the beginnings of urbanization. Artists wanted to reconnect with themselves and the world around them.
PROCESSMy first task was to stretch a 3ft by 3ft canvas to use for my self portrait. I gathered the following materials:
planning picturesexperimentationI took both of the pictures on top and combined different components. I wanted to be serious so as you can see in the first one its more of a smile and the second one is more serious in the mouth and eyes. The thing that I liked about the first photo was where the hands were located.
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ACT QUESTIONS CLEARLY EXPLAIN HOW YOU ARE ABLE TO IDENTIFY THE CAUSE EFFECT RELATIONSHIP BETWEEN YOUR INSPIRATION AND ITS EFFECT ON YOUR Artwork?
I knew I want to put two different art inspirations in one and that's what I focused on.
WHAT IS THE OVERALL APPROACH THE AUTHOR HAS REGARDING THE TOPIC OF YOUR INSPIRATION?
The central idea and theme was to stay calm and quite sometimes just listen.
WHAT KIND OF GENERALIZATIONS AND CONCLUSIONS HAVE YOU DISCOVERED ABOUT PEOPLE, IDEAS, CULTURE,ETC. WHILE YOU RESEARCHED YOUR INSPIRATION?
When I was planning my project in my head I knew I didn't want to just put something over my mouth I wanted to look like some feeling and emotions with the hands and face.
WHAT IS THE CENTRAL IDEA OR THEME AROUND YOUR INSPIRATIONAL RESEARCH?
My theme was growth and how strong and hard it is to just listen sometimes to people and things in general.
YOU MAKE WHILE READING YOUR RESEARCH?
When I was doing research I found that you can express a meaning without actually saying words.
I knew I want to put two different art inspirations in one and that's what I focused on.
WHAT IS THE OVERALL APPROACH THE AUTHOR HAS REGARDING THE TOPIC OF YOUR INSPIRATION?
The central idea and theme was to stay calm and quite sometimes just listen.
WHAT KIND OF GENERALIZATIONS AND CONCLUSIONS HAVE YOU DISCOVERED ABOUT PEOPLE, IDEAS, CULTURE,ETC. WHILE YOU RESEARCHED YOUR INSPIRATION?
When I was planning my project in my head I knew I didn't want to just put something over my mouth I wanted to look like some feeling and emotions with the hands and face.
WHAT IS THE CENTRAL IDEA OR THEME AROUND YOUR INSPIRATIONAL RESEARCH?
My theme was growth and how strong and hard it is to just listen sometimes to people and things in general.
YOU MAKE WHILE READING YOUR RESEARCH?
When I was doing research I found that you can express a meaning without actually saying words.